St Michael & All Angels Steel Orchestra
Mike ‘Dr Blue’
Ali Smith was born in Inverness in 1962 and lives in Cambridge. She is the author of Artful, There but for the, Freelove, Like, Hotel World, Other Stories and Other Stories, The Whole Story and Other Stories, The Accidental, Girl meets Boy and The First Person and Other Stories. Hotel World was shortlisted for the Booker Prize and the Orange Prize and The Accidental was shortlisted for the Man Booker Prize and the Orange Prize.
How To Be Both won the Baileys Women’s Prize for Fiction, the Costa Novel of the Year and and the Goldsmiths Prize, and was shortlisted for the 2014 Man Booker Prize and the Folio Prize.
He has given readings and lectures in Australia, Belgium, Canada, France, the USA and the UK, and his poems, essays and reviews have been widely published in magazines, journals and newspapers. His collections of poetry include All Just (Carcanet, 2012) and Outwith (Bookthug, 2012), and his recent writings on the politics of human movement have appeared in the Times Literary Supplement, Los Angeles Review of Books, Parallax and Almost Island. He is Professor of Modern Literature at the University of Kent and a co-organiser of Refugee Tales.
Jeremy Irons has an astonishing list of notable theatre, film and television credits. He has appeared in many West End theatre productions including The Winter’s Tale, Macbeth, Much Ado About Nothing, The Taming of the Shrew, Godspell, Richard II and Embers. In 1984, he made his Broadway debut in Tom Stoppard’s The Real Thing and received a Tony Award for Best Actor.
He is one of the few actors who have won an Academy Award for film, an Emmy Award for television and a Tony Award for theatre.
Well known to British and American television audiences his appearances range from Brideshead Revisited in 1981 to the Borgias in 2011.
In 2008, two researchers, a linguist and a sound engineer, found “the perfect [male] voice” to be a combination of Irons’ and Alan Rickman’s voices based on a sample of 50 voices.
Haymanot Tesfa, was born in Ethiopia, where she did her diploma in painting at The School of Fine Arts. She had two solo shows and partook in many group exhibitions at different stages in Ethiopia before 2003.
Haymanot uses mixed techniques and does still-life, portraiture and illustrative work.
As well as an artist, Haymanot is a singer, a writer and photographer. She says,” I’m living on our beautiful earth to admire words, melody, colours and nature, which gives me inspiration to be creative”.
Gerard McChrystal comes from Derry, N.Ireland and studied at the RNCM, Manchester, The Guildhall School, London and with Frederick Hemke, Northwestern University, Chicago.
Gerard has performed in 35 countries including USA, South Africa, Indonesia, China, Azerbaijan, Korea and Germany.
He has developed a repertoire of accessible new works, often with a celtic influence some of which have been published in his saxophone series by Reed Music, Australia and Camden Music, London.
His new programme Stand Up has won two awards from the Arts Council. Gerard is Professor of Saxophone at Trinity Laban, London. He is an ambassador for Derry-Londonderry UK City of Culture 2013. His album Aria was released by First Hand Records in October 2011. His website is here.
Angie Hobbs gained a First Class Honours Degree in Classics and a PhD in Ancient Philosophy at New Hall (now Murray Edwards College), University of Cambridge. After a Research Fellowship at Christ’s College, Cambridge, she moved to the Philosophy Department at the University of Warwick; in 2012 she was appointed Professor of the Public Understanding of Philosophy at the University of Sheffield, a position created for her. Her chief interests are in ancient philosophy and literature, ethics (both theoretical and applied) and political theory, and she has published widely in these areas, including Plato and the Hero (Cambridge University Press). She contributes regularly to radio and TV programmes (including 20 appearances on In Our Time with Melvyn Bragg), newspaper articles and philosophy websites; she lectures and gives talks around the world. She also engages in a variety of public and political work in the U.K and abroad: in January 2016 she took part in three panel discussions at the World Economic Forum in Davos, and in recent years she has also spoken in Westminster Abbey, the Houses of Parliament, and the United States Air Force Training Academy (USAFA) in Colorado. In September 2013 she was Michael Berkeley’s guest on Radio 3’s Private Passions, and in February 2015 was Kirsty Young’s guest on Desert Island Discs; in May 2016 she was Jonathan Agnew’s guest on View From the Boundary on Test Match Special. She is currently producing a new translation of and commentary on Plato’s Symposium, a dialogue exploring the definition, aims, objects and origins of erotic love.
Angie is a Fellow of the Royal Society of Arts, Chair of the Institute of Art and Ideas Trust, an Honorary Patron of The Philosophy Foundation and Patron of the Philosophy in Education Project.
Outside academia, Angie has many interests: walking, travelling, music, the theatre and cinema and many sports, especially cricket!
Stephen Collis is a poet, editor and professor. His many books of poetry include The Commons (Talon Books 2008; second edition 2014), On the Material (Talon Books 2010—awarded the BC Book Prize for Poetry), To the Barricades (Talon Books 2013), and (with Jordan Scott) DECOMP (Coach House 2013). He has also written two books of literary criticism, a book of essays on the Occupy Movement, Dispatches from the Occupation (Talon Books 2012), and a novel, The Red Album (BookThug 2013). In 2014, while involved in anti-pipeline activism, he was sued for $5.6 million by US energy giant Kinder Morgan, whose lawyers read his writing in court as “evidence.” His book Reading Wordsworth in the Tar Sands was published in 2015.
He lives near Vancouver, on unceded Coast Salish Territory, and teaches at Simon Fraser University.
Jonathan Wittenberg was born in Glasgow in 1957, to a family of German Jewish origin with rabbinic ancestors on both sides.
The family moved to London in 1963, where he attended University College School, specialising in classical and modern languages. He further developed his love of literature when reading English at King’s College Cambridge (1976-9). After two years teaching and social work in Israel and England he took a PGCE at Goldsmith’s College, London.
Already deeply involved in Jewish life, he trained for the rabbinate at Leo Baeck College London, receiving ordination in 1987, and continued his studies to gain a further rabbinic qualification from his teacher Dr. Aryeh Strikovsky in Israel.
Since then he has worked as rabbi of the New North London Synagogue and has taken a leading role in the development of the Masorti Movement for traditional non-fundamentalist Judaism in England. In 2008 he was appointed Senior Rabbi of Masorti Judaism in the UK. jonathanwittenberg.org
He has written on the history of the transatlantic slave trade and on the history of trading companies. His 2013 monograph history of the Royal African Company, Freedom’s Debt won the Jamestown Prize. He is the lead investigator on a five-year Leverhulme Trust project that focusses on trading corporations as constitutional bridges between cultures. He is Director of the Centre for the Political Economies of International Commerce, which he founded at Kent in 2013.
Billy Bragg is a musician and political activist best known for his folk rock music and making several hit albums in Britain. His long career is difficult to summarise so go here or here to find out more.
Sheila Hancock is one of Britain’s most highly regarded and popular actors, and received an OBE for services to drama in 1974 and a CBE in 2011. Since the 1950s she has enjoyed a career across Film, Television, Theatre and Radio. Her first big television role was in the BBC sitcom The Rag Trade in the early 1960s. She has directed and acted for the Royal Shakespeare Company and the National Theatre.
Following the death of her husband, John Thaw, she wrote a memoir of their marriage, The Two of Us, which was a no. 1 bestseller and won the British Book Award for Author of the Year. Her memoir of her widowhood, Just Me, also a bestseller, was published in 2007. She lives in London and France.
He was a professional stand-up comic on the national comedy circuit, a member of Red Grape Cabaret and used to run the Last Laugh, Sheffield’s longest running comedy club. He says “ I only gave up professional stand-up when I became a dad and needed a more reliable income, and got fed up of the heartburn that inevitably followed eating service station cheese and onion pasties at 2am on the way back from a gig.”
He has returned to stand-up and has appeared in UK and the USA. You might have seen or heard him on such programmes as Fry’s English Delight (Radio 4), Little Howard’s Big Question (BBC1) and 100 Greatest Stand-Ups (C4).
Sorcha Cusack was born into an acting family in Co Dublin, Ireland in 1949. After reading English and French at Trinity College and doing a fair amount of playacting on the side, she started her professional career with Michael MacLiammoir’s company at the Gate Theatre, playing Juliet. She moved to London in 1978 to play Jane Eyre in a 5-part serial for the BBC.
In a career spanning half a century she has worked extensively in theatre, television, film and radio. Highlights have included The Three Sisters at the Royal Court with sisters, Sinead and Niamh as well as her father, Cyril; Frank McGuinness’ Baglady which won a Fringe first at the Edinburgh Festival and playing mother to Brad Pitt on film in Snatch and to Chewitel Ejiofor on stage in Peer Gynt at the Royal National Theatre.
At present she is in the Cotswolds filming the sixth BBC series of Father Brown, based on GK Chesterton’s short stories.
Sameena Zehra describes herself as an homicidal pacifist, comedian, storyteller, blues singer and extreme doodler. For 15 years Sameena was an actor with appearances with the National Theatre, Lyric Hammersmith, and the RSC in London and New York but wanting something “that gave me creative control, something that allowed me to express the idiosyncracies of my particular psychopathy in a socially acceptable way,” she decided to do stand up.
Since that decision in 2010 she appeared at the Edinburgh Fringe in 2011 and since then has become “a sort of itinerant fringe-nomad” and been back to Edinburgh, and to fringes in Brighton, Camden, Dublin and Adelaide and done gigs in London, Brighton, Leicester, Manchester, Leeds, and more.
Sarah James is an academic at the University of Kent. She says that her research interests are centred around theological writing in the later Middle Ages, asking questions about the ways in which medieval writers engaged with the religious debates of the day, and how ordinary people, for the most part with very limited access to written texts, experienced religion. The visual culture of the Middle Ages, exemplified in illuminated manuscripts and church architecture and decoration, is an important influence on her thinking, as indeed it was for medieval writers themselves.
A historicist and close reader by instinct and training, she finds herself increasingly interested in exploring how far methodologies from other disciplines might illuminate her work. She is currently writing a book which draws upon sociological and anthropological theories of identity and boundaries to explore the ways in which people imagined religious identity in fifteenth-century East Anglia.
Sarah gave an eloquent introduction to Chaucer, his writing and his time on the first night of the Tales in Shepherdwell.
Shobu Kapoor describes herself as “Pint-sized quintessential Actress, Poet, Wild mum & Producer”
Shobu has worked as an actress in the UK for over 25 years. Some of her notable television characters are Gita in Eastenders (1992-98) and Mrs Khan in Citizen Khan (2012-Present). Her film work includes Bend It Like Beckam, Acts of Godfrey and Mischief Night.
Marina Warner is a writer of fiction and cultural history. Her books include Alone of All Her Sex: The Myth and the Cult of the Virgin Mary (1976), and From the Beast to the Blonde: On Fairy Tales and their Tellers (1994). The same year she gave the BBC Reith Lectures on the theme of Six Myths of Our Time. More recently she has published Stranger Magic: Charmed States and The Arabian Nights (2011) and Once upon a Time: a Short History of Fairytale. Her last novel, The Leto Bundle is about a refugee through time; her third collection of short stories, Fly Away Home came out last year. She is Professor of English and Creative Writing at Birkbeck College.
She is currently working on the theme of Sanctuary and a novel about her childhood in Egypt. She was awarded the Holberg Prize in the Arts and Humanities in 2015.
Sarah Turnbull is a postdoctoral research fellow with the Centre for Criminology at the University of Oxford. Her current research examines immigration detention and deportation in the United Kingdom, with specific focus on the experiences of confinement and removal in relation to affective issues of home, belonging, and identity in so-called postcolonial, multicultural Britain.
Sarah is an associate director and co-editor of Border Criminologies, an international research network focused broadly on border control.
Omran Belhadi studied Law at the University of Warwick and joined Reprieve in September 2013 as a part-time caseworker, At Reprieve, Omran assists with projects on targeted killings in Yemen and Pakistan, Guantanamo Bay and litigation in UK courts on behalf of victims of counter-terror abuses.
Prior to joining Reprieve, Omran volunteered for a year with sister organisation Justice Project Pakistan (JPP). His work focused almost exclusively on Pakistani citizens held by the U.S. military in Afghanistan. He authored a report on the matter, published in September 2013.
He continues to work part-time for JPP remotely and studies part-time for his Bar Professional training course. He speaks English, French, Urdu, Arabic, German and some Spanish.
Professor Cornelius Katona holds the degree of Doctor of Medicine from the University of Cambridge and is a Fellow of the Royal College of Psychiatrists. He trained in general and old age psychiatry at Fulbourn Hospital, Cambridge and St George’s Hospital Medical School, London. Between 1998 and 2003 he served as Dean of the Royal College of Psychiatrists.
He is currently Hon Professor of Psychiatry of the Elderly at University College London and Emeritus Professor of Psychiatry at the University of Kent. He works part-time as Medical Director of the Helen Bamber Foundation. Cornelius also works as an independent doctor, preparing expert psychiatric reports in the asylum and human rights context. His expertise is in old age psychiatry (including the assessment of capacity) and in mood disorders and he has extensive expert witness experience in assessing psychiatric consequences of medical negligence and in preparing reports on the mental health of asylum seekers and refugees.
Cornelius has published about 250 peer-reviewed papers and is first author of Psychiatry at a Glance, one of the standard undergraduate textbooks of psychiatry. He has recently led a Royal College of Psychiatrists working group which has developed guidance on the preparation of psychiatric reports in the immigration and asylum context.
Maurice Wren is the chief executive of the Refugee Council. He was Director of Asylum Aid and has previously held senior roles at Shelter and the Housing Associations Charitable Trust. Maurice led Asylum Aid’s advocacy work on improving access to legal representation for asylum seekers.
He has been a trustee of the Refugee Council, and was a co-founder of the Independent Asylum Commission, and of Detention Forum, a coalition of charities working on immigration detention since 2009. He is presently co-Chair of the National Asylum Stakeholder Forum at the Home Office, Chair of the Refugee Week Steering Group, and a Trustee of Migrant Voice; Every Casualty Worldwide; and the European Network on Statelessness.
Hugh Muir is Associate Editor, Opinion and a columnist at the Guardian. He also works as a freelance broadcaster and pundit on the BBC, LBC and Sky News. For seven years, he wrote the Diary column, also authoring the long running, pioneering series Hideously Diverse Britain on diversity in the UK.
A former BBC correspondent, he has also had prominent roles at the BBC, Daily Telegraph, Evening Standard and Mail on Sunday.
Patrick Kingsley is the Guardian’s first-ever migration correspondent, and was named foreign affairs journalist of the year at the British Journalism Awards. His book about the European refugee crisis, based on reportage from 17 countries along the migration trail, was published on 5 May 2016.
He is a former winner of the Frontline award for print journalism, and was previously the Guardian’s Egypt correspondent. Patrick, who read English at Cambridge University, has reported from 25 countries, including Denmark, where he wrote a travel book called How to be Danish.
She has over 15 years of experience working with asylum seekers and migrants in the UK, including directorship of a specialist legal advice agency. Since 2009, she has managed the Detention Forum in the UK, co-ordinating its advocacy work. She also works as a consultant, mainly for migration NGOs and is currently Chair of Every Casualty Worldwide.
She has a degree from the London School of Economics and postgraduate degrees from the School of Oriental and African Studies and Birkbeck College, University of London, UK.
Jerome Phelps has been working with people in immigration detention since 2003. He has led Detention Action to take on a national role in challenging immigration detention. He has written or co-written Detention Action’s four influential reports. He has played a leading role in Detention Action’s national campaigns on indefinite detention and the Detained Fast Track asylum process.
He has also developed Detention Action’s innovative alternative to detention project for young ex-offenders at risk of long-term immigration detention. He is the Western Europe representative of the International Detention Coalition and sits on its Advisory Committee.
Lucy Williams a freelance researcher and Senior Visiting Research Fellow at the University of Kent and has been involved in community work and research with refugees and asylum seekers since 1998. Her current research focuses on migrants facing forced return to countries of origin.
Her previous work has involved ethnographic research on the social networks of asylum seekers and refugees and various studies on marriage migration.
Ben Okri has published 8 novels, including The Famished Road and Starbook, as well as collections of poetry, short stories and essays. His work has been translated into more than 20 languages. He is a Fellow of the Royal Society of Literature and has been awarded the OBE as well as numerous international prizes, including the Commonwealth Writers Prize for Africa, the Aga Khan Prize for Fiction and the Chianti Rufino-Antico Fattore.
He is a Vice-President of the English Centre of International PEN and was presented with a Crystal Award by the World Economic Forum. He was born in Nigeria and lives in London.
Shami Chakrabarti CBE is a highly prominent figure in the UK public sphere, leading campaigns on issues of human rights and civil liberties. She was born in London and studied Law at the London School of Economics. She was called to the Bar in 1994 and worked as a lawyer in the Home Office from 1996 until 2001 for Governments of both persuasions.
She was Director of Liberty (The National Council for Civil Liberties) from 2003 to March 2016
Shami first joined Liberty as In-House Counsel on 10 September 2001. She became heavily involved in its engagement with the ‘War on Terror’ and with the defence and promotion of human rights values in Parliament, the Courts and wider society. She is constantly recognisable from continuing high-profile campaigns, from anti-terror measures to privacy laws.
She is currently Chancellor of Oxford Brookes and Essex Universities, Honorary Professor of Law at the University of Manchester and a Master of the Bench of Middle Temple. She was an independent assessor on the 2011 Leveson Inquiry.
Her first book, On Liberty, was published by Allen Lane on October 2014.
Susannah Tresilian is a theatre director, founder of Ariadne, and a radio producer for The Guardian Books Podcast. She founded Ariadne to find women whose work in theatre in conflict zones around the world is changing the society they live in. She has directed at theatres in the UK, Italy, Cyprus, Norway, France, Belarus and Croatia. As Associate Director of Nottingham European Arts and Theatre Festival 2011 and 2016 she works with artists from Kosovo, Serbia, Czech Republic, Ukraine, Romania and Bulgaria.
She has worked for BBC Radio 4’s Woman’s Hour, World Service’s Arts Hour, has produced international arts documentaries for BBC Radio 4.
Jonathan Freedland is an award-winning journalist, author and broadcaster. He writes for The Guardian and is a presenter of BBC Radio 4. He also writes for the Jewish Chronicle and is a regular contributor to a range of US publications. In 2008 he was awarded the David Watt Prize for Journalism.
He is the author of seven books. Bring Home the Revolution, was both acclaimed and controversial. It was later adapted into a TV series. In 2005, he published Jacob’s Gift a memoir. Since 2006 he has published five best-selling novels under the pseudonym Sam Bourne.
Before 1997, Jonathan served for four years as the Guardian’s Washington Correspondent and the US remains an area of specialist interest, along with the politics of Britain and the Middle East. He was educated at Wadham College, Oxford – where he studied Philosophy, Politics and Economics (PPE).
His interests span across several dimensions – first the continuous fascination of people with mind-altering substances in their different shapes and guises and the cultures of consumption that arise; secondly, the efforts by governments to manage the risks inherent in the use of these substances and the control apparatus that has been built up over the past half century; thirdly, the dynamics of an underground market and the criminality that has emerged at local as well at international basis and the efforts to combat it.
Having worked on projects in over 30 countries he thinks that drug control is in crises and in urgent need of reform. He is currently lecturing at the University of Kent, is the editor of Drugs and Alcohol Today and has published inter alia Drugs and the World (2008), The Khat Nexus, Stimulating the Debate on Drugs (2007) and Caribbean Drugs: From Criminalisation to Harm Reduction (2004).
This includes a focus on immigration detention, border enforcement, and local, everyday enforcement practices where carceral spaces proliferate; critical engagement with legal and governmental frameworks that gird citizenship and immigration; and examination of the everyday material and social consequences of ‘fortessing’ and ‘securitization’ as well as activism and advocacy aimed at contesting the inequalities and injustices that coincide with these policies and practices.
Professor Marie-Bénédicte Dembour leads the research of the Law subject group and research area at the University of Brighton. She brings to this role a vast and varied experience in conducting her own research but also in monitoring the research of others. She has been a visiting scholar and tutor at various European institutions, including the University of Oxford, the Vrije Universiteit Amsterdam and the Vrije Universiteit Brussel.
Marie-Bénédicte is a passionate advocate for migrant’s human rights. Her blog reflects her extensive research in this area and is of interest to anyone who wants to develop a deeper understanding of the different approaches to migrants’ human rights especially in Europe but also in Latin America.
Corinne Squire is Professor of Social Sciences and Codirector of the Centre for Narrative Research.
Her key areas of research interest are in narrative theory and methods, HIV and citizenship, and popular culture and subjectivity. Her publications include Living with HIV and ARVs: Three-Letter Lives (Palgrave 2013), Doing Narrative Research Edition 2 (edited with Molly Andrews and Maria Tamboukou, Sage, 2013) and What is Narrative Research? (co-authored with Mark Davis, Cigdem Esin, Molly Andrews, Barbara Harrison, Lars-Christer Hyden and Margareta Hyden, Bloomsbury, 2014).
London based singer, Ranjana Ghatak grew up within classical Indian vocal music but has evolved a glorious style of her own.
She’s worked with Akram Khan and Nitin Sawhney and played with Seb Rochford from Polar Bear and beatboxer Jason Singh. As a composer, she was commissioned by the Commonwealth Games to write a piece for the Big Big Sing and is currently creating solo material alongside Liran Donin. She continues to perform and work at the Southbank and Barbican centre on a regular basis.
Bassist, Liran Donin member of Mercury Nominated band Led Bib, arrived in the UK from Israel in 2000, initially to study at Middlesex University, and subsequently to build a career as an in-demand session player and composer, he performs in a diverse range of contexts, from the folk music of Northumbrian singer Rachel Unthank to free improv alongside vibes player Corey Mwamba and claninettist Arun Ghosh.
Mike ‘Dr Blue’ has been described as ‘the bastard son of Tom Waites and Howlin’ Wolf’. A Brighton based Blues and Roots and Folk Man, who by his own admission has been around a long time he has his own site for details of his work and latest gigs. mikedrblue.com
na-mara “elegant and skilled musicians”, the folk duo (Rob Garcia and Paul McNamara) perform self-penned songs in traditional style as well as traditional songs and tunes from across the British Isles, their own translations of songs from the Breton, French and Quebecois traditions and a wide variety of tunes from Asturias, Galicia, Brittany and northern France.
As close friends of the International Brigade Memorial Trust, they have performed their own songs about the Spanish Civil War at numerous events commemorating the commitment of Britons who went to fight fascism in Spain in the 1930s. na-mara.com
Don Kipper are a multi award-winning 7-piece ensemble playing and transforming a wide range of traditional musical forms reflecting the cultural diversity of North East London, from Turkish and Greek Folk Musics to Romani music and Klezmer. While we attempt to root ourselves deeply in the traditions that surround us, we seek to explore radical interpretations and taut arrangements full of complex harmonies, rhythms and imaginative improvisation. Since 2013, we have released our First and Second albums, been featured on BBC Introducing and the BBC World Service, played two European Tours, and won the titles of both the Moshe Beregovski Award for best Klezmer Newcomers and World Music Network’s Battle of the Bands. If you like the Amsterdam Klezmer Band, Taraf De Haïdouks, or Balkan Beat Box you’ll love Don Kipper!
They have extensive experience playing at UK and European festivals, and venues such as King’s Place, The Southbank Centre and Rich Mix in London, and are acclaimed for high octane shows that will make your brain think and your feet dance! donkipper.com
St Michael & All Angels Steel Orchestra is considered to be amongst the best steel bands in Europe and performs regularly in the UK and internationally. St Michael & All Angels is also a household name amongst the black community in London and the South-East and rewarded for its valuable community work.
The Orchestra, based in North West London, performs at events, festivals and concerts across Britain and Europe. Benefitting from superb musical leadership and professional level attitude, it is indeed something special; The band has played at St Pauls Cathedral, The Houses of Parliament, and Wembley Stadium, the Caribbean and regularly performs at festivals, concerts, corporate events, weddings, private parties and schools. smyplondon.org/steel-orchestra
Amadou Diagne is a musician who has the traditions of West Africa at his fingertips. Amadou comes from a Griot family line of percussionists and praise singers from the area around Dakar in Senegal. His talent as a percussionist led to him becoming for many years a professional full time member of l’Orchestre National du Senegal. He performed regularly with some of the top west African stars for concerts and television and was a busy session musician on the Dakar music scene.
Though Amadou Diagne draws heavily on the traditional music and rhythms of West Africa, since moving to England he has been busy forging his own musical identity as a singer, songwriter, and multi instrumentalist. Amadou writes and performs most of his songs in Wolof the most widely spoken language in Senegal, with some French and English in the mix. His distinctive singing voice swoops from a deep, rich tone into a breathy falsetto, accompanied by guitar, traditional drumming, kora and several percussive instruments. As a guitarist he has developed a unique and intricate guitar style to accompany himself which draws on his skills as a percussionist. Amadou has a love of improvisation and draws on a colorful palette of eclectic musical inspiration when he plays. He explores the instruments and delights in the rhythmic possibilities within the melodies he composes.
Amadou’s music has attracted global airplay on radio stations from Australia to Israel, Denmark and the USA as well as on BBC Radio 3 Late Junction, BBC Focus on Africa TV/Radio and BBC World Service Radio.
In 2012, Amadou was signed by World Music Network, and he released his debut solo album Introducing Amadou Diagne . It went straight to no.16 in the European World Music charts. His follow up Yakar (Waulk Records 2013) recieved a four star review in Songlines Magazine and top pick playlist review fRoots. In 2015 Amadou released Ligéey (Long Tale Recordings 2015), produced by Mark Smulian who also plays bass and oud on the album. Ligéey received a four star review in FT.com, and Songlines praised Amadou’s ability to exel on numerous instruments: ‘Drums, Guitar, Kora, whistling.this guy does it all.’ amadoudiagne.com
ice&fire Theatre Company is a London-based charity with a mission to explore human rights stories through performance. The company creates performances in theatres, runs a ‘participation’ strand as well as Actors for Human Rights, a network of volunteer actors across the UK.
Ice&fire was founded in 2003 by playwright Sonja Linden inspired by her seven years as writer in residence at the Medical Foundation for the Care of Victims of Torture (now Freedom from Torture).
Their first theatrical production was I Have Before Me a Remarkable Document Given to me by a Young Lady From Rwanda (2003), which opened in London and has since been performed across Europe and the United States of America. iceandfire.co.uk